I think Naomi Lizuka research struggles refugees faced moving around to new locations. Some preparations the actors had to do while performing this play might be mediation or practing getting in the shoes of a spiritual immigrant. The three things that grab my eye in the play is the sense of not knowing the location, partial romance and the possibility of parts being un realistic. Research like this can help me understand rhetorical choices because by further educating myself in the topic Ill be able to analyze it diffrently.
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LA,
Wow — what a phrase — “getting in the shoes of a spiritual immigrant.” I’m intrigued and would love to know more about your thoughts on this and also about the “partial romance” you’re talking about — I’m eager to see what you come up with as we go on with this project!
JP