Assignment # 3

HUT 101: Art of Theatre

Fridays, 1:00-4:25pm, room C426

Professor Jay Polish

Assignment # 3 — Collaborative Play Pre-Production

https://tinyurl.com/hutassign318

We have written our monologues and we have written our own plays and we have studied the play of a highly practiced, highly skilled playwright. We have explored set design and costume design and the way that choreography moves with heart of the play itself. We have explored performance and relationships with audience and the structures of rich character and plot development. And now, for our final project, we will be bringing these elements together.

In groups, we will be collaboratively working to pre-produce a play: to do this, we will be returning to Anon(ymous) by Naomi Iizuka and A Raisin in the Sun by Lorraine Hansberry. Together with your groups, you will be research, writing, working creatively, and presenting (respecting your Personal Traffic Lights, of course) on the following aspects of what it would take to pre-produce your version of these plays (each group will work on a different play) —

  1. Set design;
  2. Choreography;
  3. Lighting and sound;
  4. Costume design;
  5. Outreach and marketing; and
  6. Concept and casting.

Together, you will develop and present a detailed plan for each of these six elements of pre-production.

Who, for example, will your casting call be seeking to audition (for number 6)? How, specifically, do you plan to interpret and produce the storms described in the script (for number 3)? How will each character dress in different scenes (for number 4)? Who is the target audience for your production, and how will you get these people into the seats (for number 5)?

You will answer these questions and more with your group. The questions I’ve posed above are examples of the kinds of questions you need to answer: but part of this project will be coming up with important questions about each of the six elements together, and answering them together.

One week after class ends (on June 8th), you will present your pre-production plan to the class (and celebrate your amazing accomplishments this term!!)!!

Can I just be? monologue Reflection

Ashley Rodriguez

4/21/2018

Professor Polish

HUT 101

Can I just be? Reflection

 

  • What did you learn while writing this monologue? This assignment allowed me to experience another side of theater. I am a Media Studies major, so I am so used to making decision that would look better cinematically rather than focusing on the actor and it was a nice experience learning how to make choices that would still make the same impact.
  • What you didn’t learn? I wish to learn how an actor finds time to connect with the story. To then perform as if it where their own authentically
  • How you can use what you learned in the future? In the future I can use the experience I had when creating this monologue in a project. I feel that I would be able to create a film that would equally be powerful for the actor and the film.
  • Did writing a monologue (as opposed to an essay) help you understand the place of monologues in theatre? If yes, how? If no, why not? instead of writing an essay I believe that I understood the place of a monologue in theatre better. I now understand a monologue isn’t just a performance for the audience. A monologue instead is a chance for the audience to relate, to almost feel like they are not in a play but instead in a real place captured in time.
  • How you think you could have pushed your writing and performance even further? I believe that if I had more time I would like to explore my character in my monologue. I would show what exactly is going on in her life. I would emphasize her age and crisis a bit more in detail.
  • What rhetorical choices did you make in your monologue — both with your words and with your body — and how did these choices advance the depth of your work? In my monologue I wanted to get across that my character just went through something big in her life. I wanted to show her emotions play out in her head as she as talking out loud. Almost like if she was trying to make sense of her crisis like losing her father. So, I kept repeating the words “I am fine” like if it was her own way of convincing herself that she was. I like to think that these choices that I made allowed my monologue to be relatable to others.
  • How did the process of peer review push your analysis forward? If it didn’t, why not? the process of peer review allowed me to see how others would understand my monologue. It allowed me to alter my character so that it would relate to the audience (class)
  • What fresh rhetorical insights might you bring from this assignment into future assignments? I would like to explore emotion even more on future assignments, I would like to use words that continue to repeat.

Anon(ymous)

Anon(ymous) starts off  with Anon saying “Where I come from is far away from”. Then the chorus starts to sing about how beautiful the place is where they live.  Afterwards  Anon states that it isn’t as beautiful as the chorus states because where he comes from ” boys wandered the streets with M16s. I believe Anon’s beginning statement was him telling the audience that he does come from a beautiful place but the place isn’t beautiful at the moment. He’s friend Naja suggest that he remembers the good that they once had. Anon at one point starts talking about dreaming which can indicate he dreams in order  escape his reality and to remember his mother. He states ” you dream the face of one person you love… that person becomes like home”.  His way of remembering the good could be dreaming about his mother.

Assignment # 2 – Playwriting Project

HUT 101: Art of Theatre

Fridays, 1:00-4:25pm, C426

Professor Jay Polish

https://tinyurl.com/playwritingassgmt

Assignment # 2 — Playwriting Project

This is it: your chance to write your own play! We’ve talked a lot in class about the importance of everyone from stage hands to directors in theatre; for this project, we’ll focus on the role of the playwright. You will all be playwrights after this project: you will be writing a ten-minute (five-page) play. In addition, you will be recording a detailed, academic reflection on your own process of crafting this play. We will work together and individually in class to start generating theme(s), characters, settings, and conflict for your play: beyond that, your imagination is your only limit! You may use your monologue as a centerpiece of the play, but you do not have to. (Note: much of this assignment is taken from Celia Braxton, another professor of Theatre here at LaGuardia!)

Due Dates:

Friday, May 18th — Please email me and bring five hard copies of your play draft to class with you (the extra copies are for the purposes of peer reviewing with your classmates). See the description below for elements that must be included in your play drafts.

Friday, May 25th — Please email me your final draft of your play. You must also submit (via email) a recording — audio only or video is fine — of yourself reflecting on the process of creating your play. See the description below for recording requirements. Note: we do not meet for class today, so make sure I have everything via email! No hard copies are needed.

Elements You Must Include in your Play Script:

  1. A Cover Sheet: The first page should only include the title (or working title) of your play as well as your name. (Note: the cover sheet does not count toward the five pages of your script.)
  2. Character Names: The second page should include the names of each character and, if you choose and if appropriate, a brief description of each character.
  3. Setting Description: Please include a brief description of the setting(s) for the play. This may include — but is not limited to — the geographical location, time period, power dynamics, and/or what the scenic elements should look like (set, costumes, lighting, props, etc.)
  4. Genre/Style: Feel free to explore any genre or style you wish. As a playwright, you are certainly not limited to creating a contemporary, realistic play. Does science fiction captivate you? Are there dragons flying around in your imagination? Feel free to bring them to life!
  5. Director’s Notes: You may want to include notes to anyone who may be directing, designing, performing, or producing your play as to what your expectations and guidelines are for any production of your play. (For example: Costuming for all of the characters should be designed in white fabrics. No color except white should be used.)
  6. Scenes: Your five-page play might take place all in one scene, or you may choose to write several scenes. This is completely up to you. There are no restrictions on how many scenes you need to have.
  7. Format: Character Names should be capitalized and start on the far left margin of the page, followed by a colon to show clearly who is speaking which line. Stage Directions should be noted by parentheses and should also be italicized to make it clear to any actor or director that these are not to be spoken. (See the formatting of Anon(ymous) for guidance.)
  8. Remember: You are writing a play, not a film. Terms and descriptions such as “EXTERIOR – DAY”, “CUT TO” “CLOSE UP ON” or any other term from film or video are not applicable to this project. Remember also that while lighting and stage technology can create an awe-inspiring array of different places and moods, the faster and more different the settings, the LESS is generally available to make the changes—the fewer scenic elements, props and costume changes will be available.

Note: You may find that five pages of material is not be nearly enough for you to fully explore your idea(s) in the play. In that case, you may want to write what would be considered an excerpt from a full length play. You may want to explore only one or two scenes from a larger concept that you have. In that case, and if you have an idea, you may include a summary of what you imagine would come before and/or after the scene(s) that you’ve written.

Recording Requirements:

In addition to the written play script, you must record a speech of between 1 and 3 minutes reflecting on your work on the play, where your ideas came from, and how you feel your characters or plot interconnect with these sources. The speech may be recorded as audio only or as video. In your speech, you should consider both academic and life-experience sources and connections:

  • issues and events you have discussed in this or other classes (high school or college), or issues in the news or in history, that inform the play;
  • cultural influences and expressions of importance to you that inform the play or individual characters; and
  • the life experiences you have had that inform the play.

Anon(ymous) reading response

So I really enjoyed reading through this play, reminds me of reading The Odyssey back in 9th grade which was completely awesome. The story was very touching to realize how a young refugee named Anon who was separated from his mother journeys through the United States and encountering an interesting set of human beings. His journey only gets more chaotic as it heads its end.

Naya Ervin Anon(ymous) response

Naya Ervin
HW
Professor Jay Polish
HUT 101 Art of Theatre

The beginning of Anon(ymous) was quite interesting. I like how it switched back and forth between the point of view of a son and his mother who are constantly thinking of each other, but trying to adapt to their new and different life. I enjoyed reading both of their points of view and emotions throughout the play. I could really tell Anon just wants to find his way back to his mother. Something is missing from him that he is eager to get back, but I know he still has hope. He doesn’t even want to build relationships with the people around him and I don’t think he will until he has found his way. Anon is stuck in a place of not knowing his identity, which I hope he finds as I keep reading. His mother also has some struggles she is facing which I would like to see her work out. I would like to see where the play leads and which new characters come along the way.

monologue: I Am Fine

Ashley Rodriguez

4/12/18

Professor Polish

HUT 101

 

Can I just be me?

 

No go away… I am tired just let me sleep. [person completely ignores what she says and walks in] Did you not hear me? I just want to sleep. [staring] what!! [pause] why are you staring at me. Just Stop, I ….am… fine. I am okay. [continues to stare] huh!! Ok yeah so, I know he isn’t coming back he’s gone and I can’t do anything about it. He was perfectly fine one minute and then he wasn’t. I just can’t believe that. You know I’m just scared, and I’m lost, and [pause] I don’t… [Pause]I don’t…. I just don’t know.  I mean Who is going to give me that back? Why would he take him away from me? He was supposed to live forever. Who’s going to give me advice when I need it. And what if I need somebody to talk to just listen. [takes deep breath] I just feel like there is a piece of me missing. I just don’t understand… it doesn’t make sense. I keep remembering everything that happened that day. I woke up and he was in the kitchen making his coffee like usual and It didn’t seem like nothing was wrong. I mean did I miss something. [doubting] I guess his appetite was a little off, but he was fine. I mean I think he was, no he would’ve said something. so, then what happened?  Like Why?… it’s not fair!! [yells] I’m just so confused…. How could somebody be so healthy one minute to then end up in a hospital bed. And then hearing the doctors say if I wanted to sign a DNR for him… my own father!… A DNR! I was just [pause] broken… Then I’m here in this house with all these people here when I just want to be left alone. Like no mam… thanks but no… I don’t want your lasagna. I just want sleep. I am fine. Then in my own house, they give me these weird looks. In my own home. Just because I decide not to wear “appropriate clothes”.   It’s just so frustrating like why do you care about what I am wearing? If I want to wear sweats and [points to hair] wear whatever this is on my head as a hairstyle I can. Can I just be me? Then theirs people who think I’m rude if I don’t want to talk about my dead father. I mean hello excuse me for being I don’t know sad. [takes deep breath] I don’t even know why I’m still talking anymore. I mean can you just get out, no like for real. I mean get out I love you, but I just told you I’m fine.

Ana Timbela Monologue

When do all these thoughts and feelings start? Maybe it started when we broke up for the first time. I have always wanted the best for you, and maybe it is the reason why I am not with you because I know that our love is not going to work knowing our situation, distance love. I wonder if I will ever love someone again in the way that I have been loving you. I wonder to myself that if  I will be able to meet someone and forget you. Am I really going to forget you? At the beginning of everything, I believe in a distance love but what happened to me and our love? If it is not meant to be, please I need a signal, so I can take you away of all my plans, so and be able to go ahead with my life, and do not write you again. I think about why I love someone who is a thousand of miles. Besides, I start thinking about what is the true meaning of love? Every part of my body loves you, how can I ignore you and stop loving you if you gave me all the support in my craziness and sadness days and that is why I am still in love with you. I am in a discussion between my brain and heart. My brain says do not do it, but my heart says do it.  I do not think that what I am going to do is prudent, and I do not know what I am hoping after doing that, but maybe it can calm myself, so I will be able to start again with my life and meet with someone who is not far. I am going to write and tell you all the feelings and after doing this I promise myself that is going to be the end of all these thoughts and feelings for you. I listened to my heart in instead of my brain but now I know that I had to listen to my brain. My heart is broken now. You say you are in a relationship, but you are telling me that you still love me like the first day when we meet. How can I love someone that says that love me but is already with someone else? Is it possible? I care a lot for you, and I really have deep feelings for you, but I deserve more than that, so you can be with her because you can love only one person not two, and I am not going to be your second option.! It is not fair! so I am sorry but I deserve to love someone too as the way you are loving her.

monologue

In this monologue, Timothy slips into reverie while narrating to Dan that his stepfather kicked him out after they dropped out of high school.

(Seated on the rooftop blankly at the horizon, Timothy is staring blankly to the horizon oblivious of the coming storm. Daniel ponders what could be going on in his friend’s mind. Timothy looks at Dan, shrugs his shoulders in disgust and indignant hate)

Timothy: You know, I probably don’t deserve to be living with the old drank anymore. I should just walk out of the door. (Shaking his head in satisfaction and then to himself in muffled tones). You are a genius Dr. Tim and you just saved yourself a whole day of thinking. After all, he says I am clever enough to be an emperor in the wakandan republic. Then it shall be so.

(Turning softly to Dan who is utterly startled at Timothy’s sudden change of actions)

Timothy: Dan, you know what? From now on, call me Emperor Dr. Timothy of the Republic of the Wakanda. (To himself)Wait a minute, did I get that right? Yeah I did because I am the genius of the Wakandan republic and I can change the name of everything in my kingdom. (Holding Daniel by the hand and gently pointing to the horizon).Daniel, my friend, you will be in my royal palace this very moment and you are bound to be his majesty’s uhhh no that is my title you are more stupid than I am so cannot just be advisor. Let us see where you fit. (Pondering for a second and as if an idea has shot up in his mind).I got it, you will ensure that the kingdom does not lack enough drugs and food, especially chicken and booze. I know you won’t let me down. (With sudden surprise).Alas! This is serious, how did they fail to notify me that Bjorn of the Wakandan republic is coming.(Laughing to himself)Ha, ha, I should kill some servant to show these people how to respect the King around here. (Then loudly to unseen servants)I mean we could have arranged for entertainment befitting their status. (As if asking an imaginary assistant to his left and shaking his head while talking). Are you sure they are not those fools who think we wakandans cannot survive without their crazy ideas. Of course, I mean they keep telling our kids to find x in a triangle while they know where the x is. Yes, that’s what I’m saying. You can ask Dan my trusted royal advisor, they kept telling that I was a dunderhead when I told the old man that we were taught that we should eat more and sleep more for long health.(Turning swiftly)I heard Mr. Squirrel, it is a shame, a whole idiot like me can live with people of high education like my foolish stepfather. (Imitating his father). Hey son, I want to see you score good grades and finally be the president of America. If Obama came from a shithole country to be the king of America, what about you? You must give me results better than being the second last in every test.  (In a show of gratefulness, Timothy turns slowly to face Dan and whispers to the imaginary crowd).To the people of the wakandan country, give a hearty welcome to the man who did not allow being last in every test.