Major Assignments

In addition to participating in blog discussion forums with your classmates, in English 102, you will have four major writing assignments in which you will create your own pieces of literature/art/analysis:

  1. An analysis of a spoken word piece;
  2. An research essay analyzing Intersections;
  3. An analysis of Ms. Marvel; and
  4. An in-class essay.

You will have to create a 600-word analytically reflective artist’s statement regarding what you learned, what you didn’t learn, how you can use what you learned, etc., with assignments one and three.
For assignments one and three, you will choose the format of your piece from the following list of choices (for assignment one, you will choose from one category; for assignment three, you will choose from a different category) —

Visual

Video/documentary-style

Music video

Reaction video/vlog

Drawing

Painting

Sign/poster

Comic

 

Auditory

Podcast

Music mix/mashup

Musical performance

Spoken word

 

Tactile

Map/diagram

Performance

Sculpting

Conceptual set design

Role play performance

Create a game

 

Written

Poem

Fan fiction

Blog post

Comic

Personal essay

Analytical essay

Short story

One-act play

Monologue

 

Action

Website action

Letter

Blog post

Campaign

Workshop

Street theater

Community work

Assignment Expectations

Before each assignment is due, you will get a hard copy and two online copies (on the course blog and Google Docs) of the specific expectations. Before each assignment is set, we will always have the opportunity to review these assignments in class together. Further, you will be encouraged to edit/comment on the assignment parameters on Google Docs to make sure everything is crystal clear and that you get to shape expectations.

Through this process of shaping our expectations, I’d like to share something that is important to me. Education is often designed for people who already have access to education: academic writing is designed by and for people who have experience with… academic writing! Perhaps you’ve experienced this in your previous courses/school work. This racialized power that accompanies language — allowing white professors, like me, access to a world that many students, especially students of color, are often denied access to — is important to discuss, and we will be doing this a lot in our class. In the same way that I want you to feel empowered to correct me if course materials aren’t accessible in terms of learning styles and dis/ability, please do so also if there are culturally relevant methods that would help you learn better that I am not thinking of or currently valuing.

In addition to this, there are a few things each of the assignments will have in common:

Each assignment will require you to submit pieces of your thoughts — drafts — in advance of the due date, and these are extremely important. They do not have to be perfect — far from it! — but these drafts will be a very important part of our work together. Importantly, you have to annotate each of your drafts with specific questions for me and for your peers!

For each draft, you will review and comment on the work of one or more of your peers. These reviews are crucial, not only to help you and your peers experience each other’s writing processes and make each other’s projects stronger, but to build the kind of collaborative writing environment that will make our classroom a generative space.
Each assignment portfolio (including your peer reviews, your revisions, and your due date copy) must be submitted with a short artist’s statement that you create after completing the assignment, in which you will reflect critically on your own process of creation.

This is Your Class

It is very important to me that our class is as accessible as possible for everyone in it. This means that if I’m ever using language that is not easily understandable, or am speaking too quickly, or am generally coming up short in my responsibility to help you learn the best you can, I always encourage you to let me know in any way that you can (saying something during class, notes, emails, in-person, etc.).

Additionally, if any factors you cannot control — public transportation availability/safety, family safety in the midst of changing immigration policies, etc. — are interfering with your ability to benefit from this class experience, know that there are many resources available to you through LaGuardia.

Some of these resources are housed at the Wellness Center (discussed below and linked here) and others — including legal counseling, financial assistance, health care enrollment, etc. — can be accessed through Single Stop (linked here).

Free and confidential immigration assistance is available through CUNY Citizenship Now, linked here, and CUNY CLEAR, linked here.

Dis/abilities — ranging from anxiety to chronic pain — often go un-discussed in classroom settings, but my goal for this class is to foster a generative learning environment for each student: if I am not succeeding at this, please let me know so that I can make the necessary changes. As I will repeat throughout the syllabus, if you anticipate needing any kind of modification to the class as structured, please let me know as soon as possible.

This includes the ability to draft a separate grading contract with me if you know that any component of the contract is going to be overly burdensome or impossible for you to achieve due to life circumstances or any dis/ability you might experience. Additionally, if you have a documented learning, sensory, physical, or other reason for needing any kind of special accommodation in this class, contact the The Wellness Center in room C-249, email WellnessCenter@lagcc.cuny.edu, and phone 718-482-5471. Please feel free to reach out to me for additional assistance.

Syllabus

This syllabus draft is your guide — your roadmap — to how our class will go this term. If you have questions about class logistics, this is the first document you should check. However, because I want you to contribute heavily to how our class operates and how we work together, this syllabus is also a draft, a living document: it will change throughout the term according to your needs and wants and suggestions.

You all have access to commenting directly on this document through google docs at the link below and I encourage you to do so throughout the term when you have suggestions, questions, edits, or insights.

https://docs.google.com/document/d/1Iz2VdXlLLup0GEDfIXg4Q1cZNJLbeyKLK9asnxgKEak/edit?usp=sharing

If and when substantial you (or I) make substantial changes to this document, I’ll let you know in class and the updates will be posted on this page.

Reading Schedule

Date Reading Due in Class Writing Due in Class (All Posted to Course Blog before Class Begins)
Mon, March 6 Introduction
Wed, March 8 Syllabus
  1. Syllabus comments
  2. Grading contract with yourself
Mon, March 13
  1. Jamilah Lyiscott, “3 Ways to Speak English”
  2. Steven Willis — “Ebonics”
  3. Read Assignment # 1
Draft your expectations for Assignment # 1
Wed, March 15
  1. Kay — “Baby Dykes: A Queer Love Poem”
  2. “Dear Mum”
Pre-draft for Assignment # 1
Mon, March 20
  1. Emi Mahmoud — “Women of the World Poetry Slam Finals 2016”
  2. Jonathan Mendoza — “Brown Boy, White Boy”
Rough Draft for Assignment # 1
Wed, March 22 Read two of your classmates’ Assignment # 1 draft Complete your peer-review commentary and questions
Mon, March 27 Read the text your group has chosen 1. Assignment # 1 Due w/ Artist Statement

2. Post your chosen text (a link to a short piece of writing, film, piece of your own art, etc) for your group to read by Friday at noon

Wed, March 29 Read the text your group has chosen Post your chosen text (a link to a short piece of writing, film, piece of your own art, etc) for your group to read by Tuesday at noon

 

Mon, April 3 Read Intersections until the viewpoint transition on page 5
Wed, April 5
  1. Read Intersections until the viewpoint transition on page 9
  2. Read Assignment # 2
1. Draft your expectations for Assignment # 2

2. Comment on the google doc with any questions/suggestions for the assignment.

Mon, April 10   Spring Break, No Class
Wed, April 12 Spring Break, No Class
Mon, April 17 Spring Break, No Class
Wed, April 19
  1. Finish reading Intersections
  2. Research for Assignment # 2
Pre-draft for Assignment # 2
Mon, April 24 Research
Wed, April 26 Research Rough Draft for Assignment # 2
Mon, May 1 Read two of your classmates’ Assignment # 1 draft Complete your peer-review commentary and questions
Wed, May 3 Research
Mon, May 8 Read the text your group has chosen Post text your classmates to read

 

Wed, May 10 Ms. Marvel Assignment # 2 Due w/ Artist Statement
Mon, May 15
  1. Ms. Marvel
  2. (note: last day to officially withdraw from a course!)
Wed, May 17
  1. Ms. Marvel
  2. Read Assignment # 3
1. Comment on the google doc for Assignment # 3
Mon, May 22 Ms. Marvel Draft your expectations for Assignment # 3
Wed, May 24 Ms. Marvel Pre-Draft for Assignment # 3
Mon, May 29 College Closed, No Class
Wed, May 31 Read the text your group has chosen Rough Draft for Assignment # 3
Mon, June 5
  1. Read the text your group has chosen
  2. Read two of your classmates’ Assignment # 3 Rough Drafts
Complete your peer-review commentary and questions
Wed, June 7 Last Day of Class (there will be in-class writing) Assignment # 3 Due w/ Artist Statement